ALBUMS

The Long Christmas Dinner

"Mezzo Sara Murphy plays both Mother Bayard, who has a nostalgic reverie in the first scene, and cousin Ermengarde, who is left alone at the end to sing a final meditation, which Murphy renders with exquisite poignancy."

Opera News, December 2015


"Sara Murphy’s closing aria as Ermengarde here is marvellously poignant."

Gramophone, November 2015


"Among the highlights of the Bridge recording is Mother Bayard’s quiet, complacent ariosa in the first scene, sung beautifully by Sara Murphy, a dramatic mezzo-soprano who also played the role of Cousin Ermengarde. Making a clear vocal delineation between the two characters, Murphy brought the performance to an affecting end with the spoken final line. In response to “They’re building a new house,” a line from a letter she reads, Ermengarde speaks two words after the orchestral accompaniment has faded away: 'Fancy that!'"

The Thorton Wilder Society, October 2015

 

"Sara Murphy as Ermengarde, who ends the opera imagining the family continuing without her, [is] a bit special."

The Guardian, September 2015

 

Newly released recording of The Long Christmas Dinner makes the top of Arts Beat's playlist in the New York Times.

New York Times, July 2015

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This recording marks a major event in American music: the premiere recording of the original English language version of Paul Hindemith's final opera, “The Long Christmas Dinner” (1960/61) on a libretto by Thornton Wilder. Conductor Leon Botstein writes: “One aspect that Thornton Wilder and Paul Hindemith shared was their mastery of the short form in their respective fields: the single-act work. Nowhere is Wilder’s skill in this dramatic form so ambitiously and thrillingly demonstrated than in “The Long Christmas Dinner”, which transforms the concept of duration by compressing 90 years into under an hour, and thereby exposes fundamental issues of life and its rebirths. Hindemith, too, loved the form, and used it to invoke sudden spikes of emotion, whether it be horror, laughter, or astonishment. That these two great artists collaborated on a form that they both dominated and reinvigorated is a rare and happy historical convergence.” This CD release includes complete librettos in English and German, and extensive background notes by Hindemith scholar Joel Haney, conductor Leon Botstein, and Tappan Wilder, nephew and literary executor of Thornton Wilder.